March 2021

"Down Where the Valleys Are Low" Song Premiere on The Big Takeover

The Big Takeover

March 10, 2021

by Big Takeover Exclusives

Lorenzo Wolff – Down Where the Valleys Are Low: Another Otherworld for Judee Sill

Producer and multi-instrumentalist Lorenzo Wolff had embarks on an ambitious music project that reimagines the captivating music of the uniquely gifted, but tragically troubled singer-songwriter Judee Sill.

Spearheaded by Wolff, this project shines a fascinating new light on the songs of this revered pioneering ’70s artist. The album Down Where the Valleys Are Low is due out on March 12th via StorySound Records.

Wolff first encountered the beguiling music of Judee Sill back in 2010 on a playlist created by tour-mate Henry Wolfe during one of those long, typically dull, drives between gigs. He still recalls how the late, much lamented singer/songwriter’s music stood out to him. 

Sill’s music stuck with Wolff over the years. He marvels at how her work evoked, “a strange, somewhat untrustworthy landscape of shadow figures.” His fascination with Sill’s music led him, in 2019, to begin to create a Sills tribute project.

Down Where the Valleys Are Low contains seven songs that are presented as bold interpretations of the original versions of Sills’ work. Wolff believes Sill’s vibrant, dramatic lyrical and musical language — which he describes as, “both psychedelic and medieval, like an illuminated manuscript annotated in Day-Glo” — could not only support a more robust, aggressive sonic palette, but actually asks for it. 

To achieve this expansive approach, Wolff utilized different lead singers for each song, resulting in each track being distinctive, yet staying connected to the others. Wolff also feels like these reimagined renditions remain attuned to Sill’s vision._ “The more I learned about Sill, the clearer the chasm between the artist and her art became,”_ Wolff explains. “Her life was not only too short, but often nasty and brutish, while her music was pristine, elevated onto an altogether higher plane…”

Big Takeover is pleased to host the premiere of the intriguing title track, which is sung by South Carolina-originating, but Brooklyn-residing artist Mary-Elaine Jenkins. She moves back and forth between the roots music scene and the singer/songwriter circuit. Her latest album, Hold Still on Good Child Music, is out now and she’s in the process of writing her next.

Wolff relates, “This was the first song I finished for the record and was a thesis for me. Sill’s music has always felt like an incredibly careful, beautiful, fragile perspective on her surroundings. She presents an intricate music box world where the art is separate from her life. Even in this song, where she celebrates the beauty and comfort that you find in the lowest of places, the music still never really moves below the waist. You can feel that there’s something this person isn’t telling you musically, even though she’s saying it outright in her lyrics. I figured that if any song could clarify and magnify the celestial/earthbound dichotomy that Sill writes about, it was this one.”

Listen to the song HERE

Lorenzo Wolff’s Restoration Sounds Studio Website
Lorenzo Wolff Instagram
Mary-Elaine Jenkins Website

Singer-Songwriter Ana Egge Launches “The Ship”

SINGER/SONGWRITER ANA EGGE LAUNCHES “THE SHIP,” A SEA SHANTY-STYLE SONG THAT RESONATES IN TODAY’S WORLD

Arriving today, March 19 Egge’s latest single is the result of a transatlantic collaboration with the acclaimed Irish musician Mick Flannery

Sometimes a sea shanty isn’t just a sea shanty. With “The Ship,” the heralded singer/songwriter Ana Egge has taken the traditional shanty and transformed it into a modern-day parable.  Soft but still clearly defiant, “The Ship” portrays sailors, fed-up with being robbed of their personal power, realizing they have been complicit in their captain’s greedy, ruinous ways, so they stand together against him and stop participating in burning, to quote the song, “the sides of our own ship.”

A reflection of our times, the single was written during the pandemic by Egge with her friend, Irish troubadour Mick Flannery. “2020 stopped us in our tracks,” Egge explains. “We had more time than ever to consider our priorities and confront the results of our actions, personally and collectively. It is in our hands to put this ship on a new course. We can and we will."

To Egge and Flannery, the ship is the Earth and the captain represents greed and waste. The song speaks to the need of the sailors (and, in 2021, working people of all types) to do the right thing, not only for themselves and each other but also for the future of their children.

Because both Egge and Flannery are prents to young daughters, the song’s concern for the future and future generations is a very personal one for each of them. The video for “The Ship” further reinforces this theme as director Ingrid Weise has constructed it by utilizing beautiful and haunting imagery of her own daughter in nature.

Egge and Flannery composed “The Ship” in a uniquely COVID-era fashion — via Facetime. During the quarantine, the two friends starting doing nightly songwriting sessions, even though Egge is based in Brooklyn while Flannery lives across the ocean in Ireland. “The Ship” stands as one of the earliest results of this transatlantic collaboration, which they have continued into this year.

“I loved writing this song with Ana, as I have with all our collaborations,” shares Flannery. “I’m proud to have been a part of it.” Egge likewise raved, “co-writing with Mick has been so much fun and such a mind meld. Sometimes it feels like we’re finishing each other’s melodic sentences."

Egge and Flannery met a few years ago while they both were performing at a music festival in Kansas City. Becoming fans of each other’s music, the two singer-songwriters met up over the years in New York City and New Orleans to do some writing together; however, their collaboration really took off once they began their quarantine project.

Flannery continued this musical partnership by singing with Egge on “The Ship.” Egge co-produced the recording with Stewart Lerman and Dick Connette, who both have won Grammys. Rob Moose, a Grammy-honored multi-instrumentalist/arranger, composed the song’s beautifully haunting string arrangement along with contributing the violin, viola, and octave viola accompaniment. Big Thief’s Buck Meek and Egge each play guitar on the track, which also features Robin MacMillan (Aoife O'Donovan) on drums, Scott Colberg (Calexico) on bass, and Connette on Roland synth.